Krishnamurti

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On three different definitions of Nirvana: I was reading a comparison on how three different branches of Buddhism have different ideas on Nirvana.  I found it very interesting and yet I think that if we get too tangled up in differences will we not get entangled in the definition or nature of the arrow, rather than focusing on the pulling out the arrow.  That is, can’t we assume all three views are ultimately the same so how can we purify our attentions so that we can see how all three views are the same? I don’t think we accomplish that by jumping to conclusions or accepting “on faith” the word of another (except in extreme circumstances) but rather by our continual attempt to listen and see and question.  Thus maybe the three different interpretations only seem different from each other because we lack the effort to see how they are the same.  Like looking at a reflecting diamond from different points of view, it seems different but yet the diamond is changeless.  Yet how can we realize the true nature of that diamond when fear and desire push us away from it like two similar polls of two magnets. Jesus had a good idea when he suggested we should be like children.  Consider a nomad people who come to a lake. If they never saw a large water body of water before, how long would it take them to learn how to swim?  Many months or perhaps many years or perhaps even many generations, but if the kids are allowed to frolic in the water, maybe it might only take hours or minutes.  I think that’s the way we should approach meditation, with the eager and total attention of a child, without expectations, without worrying if we understand or are doing it right but with all of our attention and all of our awareness without worrying how much time we are taking or worrying about some other thing we would rather be doing or thinking we know the truth or are frustrated that we don’t understand but instead maybe we should just try to understand the reality of looking and listening and wallow or folic in that attention like a child.

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On the question of the existence of God and the possibility that God exists beyond time and how that could be possible:
Consider Marshall McLuhan's argument that fish have no conception of water until they are pulled out into the air. So too, how are we to comprehend a reality beyond time when like the fish we are trapped here within time. Various religions talks about ones soul blossoming from an inner seed and traveling up through the muck of our reality through our chakra's until we bloom like the lotus on the surface of time. Or like the mustard seed, our souls grow until the branches reach throughout the heavens. How can we understand that without experiencing it and yet how does one experience it?
By running hither and thither in our intellectual arguments? Or by wallowing in all our little self-indulgent philosophies that like the tangled weeds twisting off the growth of out mustard seed?
Kristnamurti had a joke. He told of a time when the devil and one of his demons where having a chat on a street corner when across the street a walking man stopped and picked something up.
The demon wondered what it was and the devil said he found a bit of the truth.
“Ah!” said the demon, “That's bad for you then.”
The devil smiled and said as they watched the man put the bit of truth in his pocket, “I'm not worried, he's on his way home now to categorize it.”

Just watched the French film “Coco Chanel & Igor Stravinsky” Wow, talk about visions from Jung's universal memory!!! It's such a fantastic fusion of the visual and the musical. Unfortunately I didn't have any perfume handy.

Meditation and "Hachi: A Dog’s tale”, “The Cider House Rules”, “The Hours”, “The Little Match Girl”

I had not been paying attention the other night while watching the beginning of “Hachi, A Dog’s Tale” so I started to watch the story again and right from the start I got so emotional that I couldn’t help watch it again all the way though, the incessant piano in the background constantly building on that emotion like the way a breath slowly brings the dying embers of a fire back into flame. Like the movie “The Hours”, the music is an integral part of the movie and like in “The Hours” almost seems to exemplify the consciousness and or love of the dog in the same way that in “The Hours” the music seems to exemplify the awareness and interconnecting love of the Holy Ghost.

It’s odd that the one other film that I felt a continual emotional tug twisting at me through the whole film was “The Cider House Rules”, which was also directed by Lasse Hallstrom.

Anyway, like the story of “The Little Match Girl” the story builds to a bitter sweet ending, but nonetheless, watching the dog wait for almost ten years at the train station for his master made me think about meditation. I had just read about the real Hachi last summer when he was mentioned in an esoteric geopolitical work on the war between Japan and Russia. The dog had waited for nine years, every day at the train station in Tokyo, waiting for his owner to come out through the doors of the train station. The perseverance made me wonder how sometimes after just a few minutes of meditation—what am I saying, sometimes only a few moments, we get distracted and instead of watching for the true reality to reveal itself, the supposed goal of our goal-less pursuit, unlike the dog before the doors of the train station, we find ourselves hoping for this or that, or getting bored or perhaps planning our next meal.

The dog waited ten years for enlightenment and we can’t seem to manage ten minutes!

The real Hachi, the dog that waited for his master for almost ten years is shown at the end of the movie, looking at the camera, watching.

“The Art of Happiness’ by the Dali Lama mentions Shakyamuni saying that “if one comes across a person who has been shot by an arrow, one does not spend time wondering where the arrow came from, or the caste of the individual who shot it, or analyzing what type of wood the shaft is made of, or the manner in which the arrowhead was fashioned. Rather, one should focus on immediately pulling out the arrow.”

In the middle of the movie, the dog’s owner, played by Richard Gere, talks about the impossibility of capturing art in a recording, the impossibility of capturing life, the impossibility of conveying what’s in a person’s heart or the difficulty of pinning down a creative inspiration. One could add, the impossibility of pulling out Shakyamuni’s arrow, but Hallstrom’s movie about a dog certainly comes close.
Swinburne’s line comes to mind, “where silence is more than all tunes, where sleep overflows from the heart.”

Besides "Joex Noel" for a great holiday season movie with all its inspired music when WW1 lapsed on it's first Christmas eve, another film came to mind: "Shallow Hal" I resisted seeing it for a long time because I saw the coming attractions and thought it was just all about insulting fat people but actually it's very deep and you'll have to be very stern not to cry when watching either movie

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