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Christian Vasseur

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Musique

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Sortie: 1 janv. 2001
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    Bleu nuit

    5:53

    596 lectures
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    Albaicin

    8:55

    487 lectures
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    Peter Gabriel's Dream

    5:37

    413 lectures
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    Un instant tres doux

    5:06

    2 950 lectures
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    Almaha

    8:59

    2 819 lectures

Infos générales

  • Genre : Acoustique / Alternatif / Autre

    Lieu Mons en Baroeul, Fr

    Affichages : 48699

    Dernière connexion : 15/04/2012

    Membre depuis 06/09/2007

    Label Playa Sound, Humming Conch, Dog Eared Records

    Type de label Indépendant

  • Bio

    The Christian Vasseur' music borrows as much from classical tradition as from popular music. It is free of any form of dogma. As a polymorphic musician he every often takes part into interdisciplinary events where music combines itself with other artistic media, such as photography, video, dance and theatre. In theatrical events, his music acts as a counterpoint to the text, creating an extra voice, sometimes melodic, sometimes dissonant or noisy, based on the requirements of the staging, where acoustic and electronic sounds usually intermingle. Christian Vasseur plays lute too and composes new original music for this instrument. On top of solo concerts,he usually plays in a duet with cello player Jean-Christophe Lannoy (N'Gaddi), with guitar player Philippe Lenglet (Soliloques en loque, free improvisation), with belgian guitar player Gilbert Isbin (Bubble Fauna, free improvisation), with electronic music composer Denis Streibig (Les Chromonautes) or in Djuwel trio with singer and lute player Habib Guerroumi and Jean-Christophe Lannoy (album on Playa Sound label). He founded the band Mr Agata which plays tinny electro hardbarock opera music (La vie d'un homme on Dog Eared records). With the comedian musician Patrick Sourdeval he founded the duet Chamane/Shamane. Two CDs (Alam and Poèmes saturniens) was edited in may 2009 by Humming Conch. Christian Vasseur plays a Daniel Oger guitar, an eleven strings alto guitar by Philip Woodfield and a twelve strings liuto forte by Michael Haaser. ---------------------------------------------------------------------------- La musique de Christian Vasseur doit autant à la tradition classique qu'à l'expression populaire. Elle est libre de tout dogme. Musicien polymorphe, il participe régulièrement à des manifestations interdisciplinaires où la musique est confrontée à d'autres pratiques artistiques : photographie, vidéo, danse et théâtre. Au théâtre sa musique est un contrepoint au texte, une autre voix(e), mélodique, dissonnante ou bruitiste selon les nécessités dramaturgiques. Les sonorités acoustiques sont souvent combinées à l'électronique. Christian Vasseur est l'un des rares luthistes à intégrer le luth dans la musique actuelle (compositions ou improvisations). Il se produit en solo ainsi qu'en duo avec le violoncelliste Jean-Christophe Lannoy (N'Gaddi), avec le guitariste Philippe Lenglet (Soliloques en loque, improvisation libre), avec le guitariste belge Gilbert Isbin (Bubble Fauna, improvisation libre), avec le compositeur de musique électronique Denis Streibig (Les Chromonautes), il joue avec le chanteur luthiste Habib Guerroumi et Jean-Christophe Lannoy au sein du trio Djuwel (album sur le label Playa Sound). Il a créé le groupe Mr Agata qui joue une musique électro hard baroque (La vie d'un homme sur le label Dog Eared Records). Il a créé le duo Chamane/Shamane avec le comédien musicien Patrick Sourdeval. Deux albums (Alam et Poèmes saturniens) ont paru en mai 2009 chez Humming Conch. Christian Vasseur joue une guitare de Daniel Oger, une guitare alto à 11 cordes de Philip Woodfield et un liuto forte à 12 cordes de Michael Haaser.

  • Membres

    On solos : Christian Vasseur, acoustic guitars and archlute; Olivier Lautem, Jacques Deregnaucourt and Benjamin Mraz, sound ingineers. On duets with cello : Jean-Christophe Lannoy, cello; Patrice Kubiack, sound ingineer. On "Morphée absent", Marie Caroline Lebriez and Claude Burvenich, guitars; Laure Chailloux, accordion; Timothée Couteau, cello; Mahdad Moussazadeh, sound ingineer. On Wargame : Mr Agata (Anne Sortino, violin; Louise Bronx, DJ; Cédric Duhem, gong and Christian Vasseur electric guitar. Two albums (Alam and Poèmes saturniens) on Humming Conch in may! Christian Vasseur : nylon flamenca guitar, steel strings parlor guitar, ten nylon strings guitar, eleven strings alto guitar, indian zither, archlute and voice. Benjamin Mraz and Jacques Deregnaucourt : sound ingineer.

  • Influences

    My numerous influences include impressionists French composers such as Debussy or Fauré, progressive rock bands such as King Crimson, the genious lutenist John Dowland, American composers - Villa Lobos, Egberto Gismonti, Charles Ives - folk music - especially from Andalusia - and great improvisers, Ralph Towner and Fred Frith... And also: Frédéric Chopin, Eric Satie, John Cage, Aaron Copland, Conlon Nancarrow, Georges Crumb, Steve Reich, Luc Ferrari, Maurice Ohana, Gustav Mahler, Dimitri Chostakovitch, Benjamin Britten, Nino Rota, Robert Wyatt, Led Zeppelin, Sonic Youth, Caetano Veloso, Baden Powell, Anouar Brahem, Glenn Gould; David Lynch, Kitano Takeshi, Andreï Tarkovsky, Clint Eastwood; Arthur Rimbaud, Ghérasim Luca, Fernando Pessoa; Zoran Music, Andy Goldworthy, Bill Viola... ------------------------------------------------------------------------------ Les influences sont multiples, allant des compositeurs impressionnistes français (Debussy, Fauré) aux groupes de rock progressif (King Crimson) en passant par le génial luthiste John Dowland, les compositeurs américains (Villa Lobos, Egberto Gismonti, Charles Ives), les musiques traditionnelles (andalouses en particulier) et les grands improvisateurs comme Ralph Towner et Fred Frith... Et puis Frédéric Chopin, Eric Satie, John Cage, Aaron Copland, Conlon Nancarrow, Georges Crumb, Steve Reich, Luc Ferrari, Maurice Ohana, Gustav Mahler, Dimitri Chostakovitch, Benjamin Britten, Nino Rota, Robert Wyatt, Led Zeppelin, Sonic Youth, Caetano Veloso, Baden Powell, Anouar Brahem, Glenn Gould; David Lynch, Kitano Takeshi, Andreï Tarkovsky, Clint Eastwood; Arthur Rimbaud, Ghérasim Luca, Fernando Pessoa; Zoran Music, Andy Goldworthy, Bill Viola...

  • Similaire à

    Beefheart's Ten Commandments For Guitarists 1. LISTEN TO THE BIRDS That's where all the music comes from. Birds know everything about how it should sound and where that sound should come from. And watch hummingbirds. They fly really fast, but a lot of times they aren't going anywhere. 2. YOUR GUITAR IS NOT REALLY A GUITAR Your guitar is a divining rod. Use it to find spirits in the other world and bring them over. A guitar is also a fishing rod. If you're good, you'll land a big one. 3. PRACTICE IN FRONT OF A BUSH Wait until the moon is out, then go outside, eat a multi-grained bread and play your guitar to a bush. If the bush doesn't shake, eat another piece of bread. 4. WALK WITH THE DEVIL Old delta blues players referred to amplifiers as the "devil box." And they were right. You have to be an equal opportunity employer in terms of who you're bringing over from the other side. Electricity attracts demons and devils. Other instruments attract other spirits. An acoustic guitar attracts Casper. A mandolin attracts Wendy. But an electric guitar attracts Beelzebub. 5. IF YOU'RE GUILTY OF THINKING, YOU'RE OUT If your brain is part of the process, you're missing it. You should play like a drowning man, struggling to reach shore. If you can trap that feeling, then you have something that is fur bearing. 6. NEVER POINT YOUR GUITAR AT ANYONE Your instrument has more power than lightning. Just hit a big chord, then run outside to hear it. But make sure you are not standing in an open field. 7. ALWAYS CARRY YOUR CHURCH KEY You must carry your key and use it when called upon. That's your part of the bargain. Like One String Sam. He was a Detroit street musician in the fifties who played a homemade instrument. His song "I Need A Hundred Dollars" is warm pie. Another church key holder is Hubert Sumlin, Howlin' Wolf's guitar player. He just stands there like the Statue of Liberty making you want to look up her dress to see how he's doing it. 8. DON'T WIPE THE SWEAT OFF YOUR INSTRUMENT You need that stink on there. Then you have to get that stink onto your music. 9. KEEP YOUR GUITAR IN A DARK PLACE When you're not playing your guitar, cover it and keep it in a dark place. If you don't play your guitar for more than a day, be sure to put a saucer of water in with it. 10. YOU GOTTA HAVE A HOOD FOR YOUR ENGINE Wear a hat when you play and keep that hat on. A hat is a pressure cooker. If you have a roof on your house the hot air can't escape. Even a lima bean has to have a wet paper towel around it to make it grow.

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